Monday, December 26, 2011

MARK HENLEY - RIVERSONG 1976

Mark Henley is a song writer from the Been There and Done That School of Hard Knocks. He writes from his heart about his life and experiences during the long, strange trip. Some of his influences are Neil Young, John Prine and David Allan Coe.
His style is plain, based in southern rock and modern country. Some of his songs are spiritual and others are definitely in the flesh. Some are silly and others slice to the bone. He shares his love for Jesus as well as his struggle to reach for a better life.

Tracks :

1.Everyone Tuesday
2.Full Moon Of April
3.Mona Ray
4.Don't You Go Under
5.After Saturday
6.Give Me Time
7.Place And Old Friends
8.Froggin'
9.Riversong
10.Strawberry Moon




Artwork Inluded

MAN - MAN 1969 US

Man consisted of Richard Supa (lead guitar, acoustic guitar, vocals), Dennis Belline (rhythm guitar, piano, vocals), Richie Cardenas (bass, vocals), Gilbert Slavin (organ, piano, harpsichord, flute), Antony Krasinski (drums, percussion, harmonica).

The production was done by the legendary Bob Johnston. The album gets five stars for extraordinary songwriting. "Riverhead Jail", "Brother John" and "Far Too Many Changes Came" hold up well today.



If you've heard anything, it's probably "Sister Salvation", a "turntable hit" on a few progressive rock stations at the time the record was released. "Man" has a high degree of imagination, is very accessible, and has a unique singer with Richard Supa. Unfortunately, the group never jelled, and broke up after this record. It's a great addition to a 60s collection, and a long lost musical treasure.



The album jacket has a misty photo of the band members. Richard Supa and Dennis Belline collaborated in an obscure band called Denny Belline and The Rich Kids. They released one album on RCA in 1966. Richard Supa went onto a career as a session player and songwriter. His song "Chip Away The Stone" has been covered by Aerosmith and Humble Pie among others. Supa also released four solo albums between 1971 and 1978.



Man also produced a cover of Bob Dylan's "Girl From The North Country" that has to be heard to be believed. As far as we know it was only available on 45 rpm.

Info taken from http://cousin-mike.ucoz.com/blog/man_man_us_band_1969/2011-04-14-863

Tracks :


1. Sleepy Eyes And Butterflies (5:50)
2. Riverhead Jail (4:20)
3. When Can I Call You Friend (4:57)
4. Brother John (3:58)
5. Far Too Many Changes Came (8:21)
6. Sister Salvation (2:58)
7. Camp Of The Gypsies (3:36)
8. O, Child, In Time (4:4



Hokus Poke were a early UK British blues band on the Vertigo label. They only released Earth Harmony in 1972. Essentially, Hokus Poke follow along the lines of the electric blues pioneered by Cream five years earlier. However, the first half of the album is much more acoustic based which gives them their own sound.

Tracks :

01.H.P. Boogie
02.Sunrise Sunset(The Sunset)
03.Big World Small Guy
04.Down in the Street
05.Hag Rag
06.Living in Harmony
07.Time and Space
08.The Poke



Artwork Inluded

FLEETWOOD MAC - PENGUIN 1973

Fleetwood Mac's first album made after the departure of Danny Kirwan features the additions of guitarist Bob Weston and singer Dave Walker. By now Bob Welch and Christine McVie were the dominant forces in the band, and all traces of blues-rock were gone, replaced by Welch's hypnotic melodies and McVie's romantic sentiments married to up-tempo pop tunes. This album gave Fleetwood Mac its best U.S. chart showing yet, but the wonder is that this phase in the band's career wasn't even more popular.

Review by William Ruhlmann

Tracks :

01. Remember Me (Christine McVie) – 2:41
02. Bright Fire (Bob Welch) – 4:31
03. Dissatisfied (Christine McVie) – 3:41
04. (I'm A) Road Runner (Brian Holland, Lamont Dozier, Edward Holland) – 4:52
05. The Derelict (Dave Walker) – 2:45
06. Revelation (Welch) – 4:57
07. Did You Ever Love Me (Christine McVie, Welch) – 3:41
08. Night Watch (Welch) – 6:16
09. Caught In The Rain (Bob Weston) – 2:41




Artwork Inluded

FERMATA - FERMATA / PIESEN Z HOL 1975-76

What an underrated band!. If you like your jazz rock fusion with prog overtones and excellent musicianship than this is for you. In the same vein as late Missus Beastly, Release Music Orchestra and maybe even a bit of Brand X and Coloseum II. But Fermata deserves more recognition because even when you fell all these influences what comes out is quite theirs. Their second is also great! Looking foward to hearing their 3rd called 'Huascaran' which everybody says is their best. Highly recommended if any of the bands mentioned tickle your fancy. (reviewed by mhiraldo)

Info taken from PROGNOTFROG

Tracks :

Fermata -75

1. Rumunska rapsodia (5:52)
2. Perpetuum II (10:27)
3. Postavim si vodu na caj (4:19)
4. Valcik pre krstnu mamu (7:03)
5. Perpetuum III (11:06)


Piesen z hol' -76

6. Piesen z hol (11:08)
7. Svadba na medvedej luke (4:17)
8. Posledny jarmok v Radvani (4:32)
9. Priadky (7:38)
10. Dolu Vahom (2:21)
11. Vo Zvolene zvony zvonia (10:10)



Artwork Inluded

DEARDORFF & JOSEPH 1976

Deardorff & Joseph were not widely heard or remembered, but that doesn't mean they were forgotten or even felt. Their 1976 debut became a cult item for collectors of soft Californian '70s pop, and it also marked the first time Jeffrey Comanor's "We'll Never Have to Say Goodbye Again" was heard (a few years later, England Dan & John Ford Coley brought it into the Top Ten). At the time, the album was largely ignored, even if it was a first-class professional production firmly within the Californian commercial sound of the mid-'70s and featured musical support by such luminaries as Dan Seals, Jeff Porcaro and his brothers Mike and Joe, Dean Parks, Jim Horn, and David Paich. Perhaps there was simply too much soft rock in the market in 1976, or perhaps listeners found Danny Deardorff's voice slightly thin and whiny, two things that would have killed any hopes of big commercial success for the duo. Nevertheless, time has treated Deardorff & Joseph well. Deardorff's voice remains just this side of an acquired taste -- in contrast, Marcus Joseph's voice is sweet and friendly, perfectly fitting the breezy feel of the music -- but both the songs and production are better than average, with a nicely enveloping lush, layered sound and some very good tunes, largely written by Deardorff, who may not break from the laid-back singer/songwriter tradition but does some nice work within it. Though the album sags a bit on the slower songs, this is a remarkably consistent, enjoyable record that sounds as if it could have been a hit at the time, even if it doesn't really have a cut that sounds like a lost classic. Nevertheless, the album as a whole is a bit of a lost classic of sorts for fans of Crosby, Stills & Nash-influenced Californian soft rock singer/songwriters -- think America, Seals & Crofts, England Dan & John Ford Coley, in particular -- because it is both rare and very good. Unlike some cult items, this winds up delivering on its promise and is worth seeking out for those listeners who can never get enough of the mellow Californian sound.

Review by Stephen Thomas Erlewine

Tracks :

01. One More Story To Tell (3:26)
02. We'll Never Have To Say Goodbye Again (3:22)
03. Chicago Blue (3:05)
04. Nighttime Love (3:00)
05. Sentimental Lady (3:47)
06. The Castle (2:39)
07. Golden Road (3:14)
08. Lovely Lady (3:03)
09. Sing My Song (2:39)
10. Little Kings Of Earth (3:50)




Artwork Inluded

AMAZING BLONDEL - MULGRAVE STREET 1974

British Folk-Rock / Prog group Amazing Blondel, one of the most unique and sophisticated bands to appear on the scene in the 1970s. After recording four wonderful albums for the Island label, the band switched to the DJM label, where they recorded four additional albums before disbanding. With the departure of John Galdwin following the recording of "England", the duo of Terry Wincott and Edward Baird continued to carry the band's tradition, utilizing well-known Rock musicians as guest artists and modifying the sound to a more contemporary rockier song format. However, the Folk elements and occasional medieval music elements were still incorporated into the music, with their vocal harmonies remaining second to none. On this album the guests include Free's guitarist Paul Kossoff, drummer Simon Kirke and keyboardist John Bundrick. This is quite different from the first incarnation of the group, but still a great testimony of the times now long gone. Worth investigation!

Tracks :

1. Mulgrave Street (7:24)
2. Iron & Steel / Leader of the Band* (4:52)
3. Light Your Light (3:03)
4. Hole in the Head (2:17)
5. Help Us Get Along (3:48)
6. See 'em Shining (2:34)
7. Love Must Be the Time of Your Life (2:32)
8. All I Can Do (2:40)
9. Goodbye Our Friends* (3:15)
10. Sad to See You Go (3:20)



Artwork Inluded

Wednesday, November 30, 2011

DION -SIT DOWN OLD FRIEND & YOU'RE NOT ALONE 1970 - 1971


Dion's early-'70s albums have been quite overlooked, even in comparison to his similar late-'60s folk-rock records, and even by many Dion fans. This single-disc CD pairs 1970's Sit Down Old Friend with 1971's You're Not Alone, both records showing Dion continuing to mature as a singer/songwriter and blender of folk, rock, and blues stylings. Sit Down Old Friend was a change of pace even by the standards of his mellower, folk-rockish late-'60s comeback records. This was Dion unplugged: just him on acoustic guitar (both classical and steel string), and no other accompaniment, with all but three of the songs written or co-written by the singer. There's an intimate warmth and vulnerability here that you associate with demos that tend not to be issued in this original form, instead being embellished and worked over into something slicker. For whatever reason, in this case Dion was able to slip the material through to the consumer in this unadorned format. It's a wistful and reflective set, as unplugged acoustic guitar albums tend to be. But the inherent mellowness of the format is given a harder and more emotional edge by Dion's blues leanings, and the sense of a man emerging from hard times into something better. His voice has rarely been more expressive than it is on "I Don't Believe My Race Is Run" and the cover of Jacques Brel's "If We Only Have Love." It's a quality overlooked effort of the early singer/songwriter era, though it's missing any classic or hitbound tunes that might have made it a major work. You're Not Alone was a low-key record in which Dion continued his explorations into introspective music that bridged the folk-rock and singer/songwriter styles. Whereas Sit Down Old Friend was solo acoustic, though, Dion did revert to full-band arrangements for the follow-up. Fortunately, the backing -- including notable session players Paul Griffin on organ and Hugh McCracken on both electric and acoustic guitar -- was tastefully understated, which would not often be the case the further Dion moved into the 1970s. It's respectable, yet not as good as Sit Down Old Friend and his best late-'60s folk-rock records, with a slight slide in the quality of the material, and less of the near-naked atmosphere that made Sit Down Old Friend stand out. Sometimes the slow and introspective tenor of the tunes gets sluggish, rather in the same way as Bobby Darin's folk-rock records of the 1960s, though Dion was always a better and edgier folk-rock singer than Darin was. Most of the set is self-composed, and it's fair but not exceptional singer/songwriting, with covers varying from effective (Melanie's "Close to It All") to unimaginative (the Beatles' "Let It Be"). There's just one outing into the rootsy blues that Dion had developed a flair for from the mid-'60s onward, "The Stuff I Got"; "Attraction Works Better Than Promotion" has to qualify as one of his most offbeat song titles. The CD also adds a 1973 track, "Doctor Rock'n'Roll," as a bonus cut.


Review
by Richie Unterberger

Tracks :

1 Natural Man Abbott, Holler
2 I Don't Believe My Race Is Run DiMucci, Fasce
3 Jammed Up Blues DiMucci
4 Little Pink Pony DiMucci
5 You Can't Judge a Book by the Cover Dixon
6 If We Only Have Love Blau, Brel, Shuman
7 Sweet Pea DiMucci
8 Just a Little Girl DiMucci
9 Let Go, Let God DiMucci
10 King con Man DiMucci
11 Sit Down Old Friend DiMucci, Fasce
12 Close to It All Safka
13 Sunnland DiMucci, Fasce
14 Windows DiMucci, Tuohy
15 The Vistor DiMucci, Fasce, Tuohy
16 Peacefule Place DiMucci, Fasce
17 Let It Be Lennon, McCartney
18 The Stuff I Got DiMucci
19 Blackbird Lennon, McCartney
20 Joise DiMucci, Fasce
21 Attraction Works Better ThanPromotion DiMucci, Fasce
22 Doctor Rock'n'Roll DiMucci



Artwork Included

Tuesday, October 25, 2011

EMMA MYLDENBERGER - EMMAZ LIVE! 1981 (2007 reissue)

Previously only available trough cassettes (79 copies produced to be exact), this third EM album (and last if you do not count the Radio Noisz Ensemble, which is the logic continuation of this venture), the superb Garden Of Delight label reissued this album very recently for our pure enjoyment. And enjoyment it is, because this lengthy (68 mins + 3 bonus tracks for 81 mins) live recording is of excellent sound quality and there are much "new" material that weren't present on the two studio albums, but rehearsed live for a possible third studio album, which would never come. Sporting a colourized version of the cassette photo as artwork, corrected running times, some group pictures, the GOD release is the usual excellent product that gives progheads so many joys over the years.
Some of the previously heard songs are in fairly different versions here, often with less vocals or presented in a different light. The superb RAA and Regenreigen Suite are both presented with excellent live alternatives. The last three songs on the original cassette were foreseen for the third album (as would the last two bonus tracks), thus giving you an idea that this third album would've at least as good as their debut and approach the second's outstanding relevance.
Of the three bonus tracks, the jig of Narrentanz is the least interesting (and already present in the first studio album), but Schäfer Von Rotterdam and Alina are superb medieval-sounding tracks that we're all used to hearing. More added value for a Live album which turns out to be just as essential as the studio ones.
Review by Sean Trane
SPECIAL COLLABORATOR Prog Folker
Tracks :
01. Live Rückkehr aus Emmarokkoko
02. Lenyas Fantasie
03. Opus 4
04. Ferngespräch Vorwahl 030
05. RAA
06. Regenreigen Suite
07. Ala Dalona
08. Capt. Bla Blau
09. Space Fasching In Zweischlingen
10. Narrentanz (Bonus track)
11. Der Schäfer Von Rotterdam (Bonus track)
12. Alina (Bonus track)

Artwork Included

Thursday, October 13, 2011

KALEIDON - FREE LOVE 1973


Despite strong differences in their musical style, these groups are often mentioned together because Kaleidon came out from the ashes of the promising Free Love after two of these band's members died in a car accident. One of the surviving members, Stefano Sabatini, formed the new group that dedicated their only album in 1973 to the old band.
Born at the end of the 60's in Rome, Free Love only released two good rock singles in their short career, one of which was used as soundtrack to a spaghetti-western film. The original line-up featured the US-born brothers Carl and Steve Stogel, Gianni Caia and a singer whose name was Tony, and it recorded both the band's singles, being pictured on their covers. Later, towards the end of 1969, the group was joined by Canadian violinist John Picard and, for a short time, singer/percussionist Ricky Cellini. The line-up became more stable in 1970 with new keyboardist Stefano Sabatini (after Tony and Cellini had left) and various concerts in Northern Italy, Switzerland and Sardinia. They seemed to have a very promising career ahead, as demonstrated by their participation in Rome's Caracalla Pop festivals in 1970 and 1971, but before the last of these two events had to suffer a line-up change when Sabatini left, replaced by Fabio Cammarota. A few months later Picard quit, moving to France.
This group broke up towards the end of the year and Caia and Steve Stogel, along with bass player Mauro Montaldo, reunited with Stefano Sabatini to tour as backing band of Mia Martini. It was in February 1972, while coming back from a concert in Sicily, that the musicians' van was involved in a road accident: two of them, Gianni Caia and Steve Stogel, died while the others, Stefano Sabatini and Mauro Montaldo were severely injured.
A concert was held at Rome's Piper to commemorate the musicians and collect some money to support their families.
A new line-up with the namd Free Love was assembled in the summer, and this included Stefano Sabatini, Carl Stogel, drummer Giovanni Liberti and saxophonist Stefano Cesaroni, later replaced by Massimo Balla for the Caracalla-Wembley concert in Rome in Autumn 1972.
From this line-up, with newcomer bassist Franco Tallarita, derived the new group Kaleidon, whose only album in 1973 was in fact entitled Free love; totally instrumental, strongly veering toward jazz, it went unnoticed, with the band having a strong line-up change right after its release and splitting after the fourth edition of the "Festival d'Avanguardia e Nuove Tendenze" held in Rome in June 1974.

After leaving Kaleidon, bassist Franco Tallarita joined Ut. His replacement Gianni Colaiacomo later played with Banco del Mutuo Soccorso.
The last Kaleidon drummer, Francesco Froggio Francica, had previously played with Raccomandata con Ricevuta di Ritorno and shortly Procession.
Stefano Sabatini was involved in the short-lived Samadhi supergroup and later Mediterraneo (featuring some ex-Samadhi members), in 1978 he moved to Los Angeles where he played with many important jazz musicians, and after returning to Italy in 1982 he has had an intense activity in the jazz field, which lasts today.

source :
http://www.italianprog.com/a_kaleidon.htm
Tracks :

1. Kaleidon (8:29)
2. Inverno '43 (6:31)
3. Dopo La Festa (7:27)
4. Polvere (6:36)
5. Oceano (6:14)
6. Free Love (4:48)

No artwork
 
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