Thursday, September 18, 2008

ANNIE HASLAM - ANNIE IN WONDERLAND 1977

Annie Haslam got her start in music on a dare. Taking the stage at a Canadian club to sing Mary Hopkin's "Those Were the Days" at some friends' urging, she made such an impression--surprising even herself--that she dropped her fashion design studies and started classical vocal training. Soon afterward, in 1971, she answered an ad and became Renaissance's vocalist.

Her clear, controlled voice was the missing ingredient in Renaissance's hitherto-unrealized prog-folk stew, and the group became an AOR phenomenon--even more so in the United States than in their native England. She remained with the group through sixteen years and ten albums, until, after myriad lineup changes and a stint as "Annie Haslam's Renaissance", the group finally folded, in 1987. Haslam then resumed a solo career which she had toyed with in 1977 with her release Annie in Wonderland, a collaboration with Roy Wood of The Move/ELO/Wizzard/Wizzo/etc. fame.

After two rather unsuccessful late-'80s solo releases, Haslam lost her recording contract. In desperate financial straits, she took to the road on a successful barnstorming tour which brought her back into the limelight once more. After a fearful bout with breast cancer, in 1993 she released her fourth solo LP, Blessing In Disguise, with the help of super-producer Tony Visconti.

Tracks : 

____________

Intolise

I Never Believed in Love

If I Loved You

Hunioco

Roclalise

Nature Boy

Inside My Life

Going Home

____________

Link : http://rapidshare.com/files/146635888/Annie_haslam_in_wonderland_1977.rar

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Artwork Included


LINK WRAY S/T 1971

One of the more influential guitarist of the Fifties, Link Wray introduced the distorted fuzz-tone sound on his million selling single. "Rumble." Link Wray is credited with having more influence than his track record might indicate. Pete Townshend of the Who has referred to him as "the king."  Ray has been called the godfather of the guitar power chord and the father of heavy metal rock. In fact, he might be this and more.

Fred Lincoln Wray Jr., who was part Native American, was born May 22, 1935 in rural Dunn, NC. Both of Wray's parents were preachers in the Holiness Church. He learned bottleneck guitar as a youth, after moving with his parents to Arizona. Link joined the Army after high school and entertained on the Arm Forces Network in Germany.  After returning from the Korean War, where he  lost a lung to tuberculosis, Wray was told not to sing so he devoted himself to the guitar. He formed a combo with brothers Vernon and Doug.  Even though they were playing country songs, they often performed them in such a rough manner that they were kicked off stage!

"We played rock ‘n roll ten years before it was given a name" Wray supposedly
stated in later years.

In 1956 as "Lucky" Wray and the Palomino Ranch Hands, they recorded the first of three country/rockabilly singles for Starday Records. Vernon led the band on four singles for Cameo Records in 1957-58. In 1958 an instrumental built around the Stroll was picked up by Cadence Records. "Rumble" with its crashing guitars chords set off a chain reaction as socially conscious groups petitioned to have the tune banned because of its perceive association with juvenile delinquency. "Rumble" sold over a million copies and reached #16 that year.

Wray who was not signed with Cadence was quickly picked up by Epic Records, which channeled his energy into a series of less raucous instrumentals including "Rawhide," "Comanche," and "Slinky." Doug Wray also recorded "Goosebumps" for Epic in 1959.

After a brief stop at Okeh, the Wray's recorded on several labels including Rumble, Atlas and Trans-Atlantic. In 1963 Link showed up on Swan Records with "Jack the Ripper." He stayed with Swan until 1967. Thereafter, he recorded for many labels.

Having problems both with marketing, and record deals, made Link Wray fed up of playing in the late -60's. He retired from the business and was just about to change careers entirely.

By this time Wray had retired to a family farm commune in Maryland, where he built a three track studio in a shed , playing live only occasionally at local bars.Fortunately Wray returned in 1971. But this time with a pretty different sound that shocked his old fans. Gone were the howling guitars; he now played "down to earth" country and blues with acoustic guitars and a pleasant voice. However it didn’t last to long. Some years later he returned to his original style and music. In the beginning together with Robert Gordon (and made two records), and later on his own. His new records wasn't as good as the old ones from the -50's and -60's, but in concerts he was still an ace.

Many of the three track recordings were issued on the 1971 Link Wray, a critically acclaimed LP that sold little and was largely made possible by admiring rock stars like Peter Townsend, Jeff Beck, Bob Dylan and Ray Davies.

Wray moved to Denmark in 1983. The reason was his Danish wife Olive Julie. Link says "I can go and live everywhere, and still go on tour to rock 'n' roll, and record albums - doesn't matter where I live, and I moved to Denmark for Olive."

Wray was unwilling to compromise his music to appeal to the masses. It was his attitude as well as much as his guitar skills that appealed to the punk rock crowd when they discovered him in the 1970s.

Tracks : 

  1. "La De Da" (Steve Verroca) - 4:04
  2. "Take Me Home Jesus" (Steve Verroca) - 3:21
  3. "Juke Box Mama" (Steve Verroca) - 4:29
  4. "Rise and Fall of Jimmy Stokes" (Steve Verroca) - 4:02
  5. "Fallin' Rain" (Link Wray) - 3:44
  6. "Fire and Brimstone" (Link Wray) - 4:21
  7. "Ice People" (Link Wray) - 3:03
  8. "God Out West" (Steve Verroca) - 3:54
  9. "Crowbar" (Link Wray) - 4:48
  10. "Black River Swamp" (Link Wray) - 3:58
  11. "Tail Dragger" (Willie Dixon) - 4:32

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Artwork included


THE 31st OF FEBRUARY - S/T 1968

The 31st of February made an obscure album for Vanguard in the late 1960s that was typical of many LPs of the time that didn't make an impression. There was a little bit of folk-rock, a little bit of psychedelia, and a little bit of pop. Ultimately it didn't have a lot of significance, without memorable original material or a consistent or interesting style, though the playing and singing is competent, and the mood usually reflective. All of their members, though, went on to projects that made a more lasting commercial impact. Butch Trucksbecame drummer for the Allman Brothers; Scott Boyer played inCowboy; and bassist David Brown went to Santana.
While there's nothing particularly objectionable about the 31st of February's sole album, there's nothing exciting or memorable about it either. It's average late-'60s pop-psychedelic/folk-rock, dominated by the songs of either Scott Boyer or David Brown, though they also cover Buffy Sainte-Marie's "Cod'ine," Jackie DeShannon's obscure "The Greener Isle," and the Dan Penn-Spooner Oldham-Chips Moman collaboration "Sandcastles." Light, reflective folk-rock is the primary color, slightly more downbeat than upbeat (heard to its best effect on "Porcelain Mirrors" and the lugubrious "Cries of Treason"), with a faint Baroque tinge to some of the arrangements and the occasional orchestration. There's a bit of California psychedelic freakout as well on "A Nickel's Worth of Benny's Help," though again this doesn't get too far out or interesting.

Tracks:

1 Sand Castles Moman, Oldham, Penn 2:44
2 Porcelain Mirrors Boyer 2:55
3 Broken Day Brown 2:56
4 Wrong Brown 2:11
5 The Greener Isle DeShannon 2:45
6 Codeine Sainte-Marie 6:17
7 A Different Kind of Head Brown 2:46
8 Pedestals Boyer 2:25
9 Free Boyer 2:29
10 A Nickel's Worth of Benny's Help Boyer 4:22
11 Pick a Gripe Boyer, Trucks 2:06
12 Cries of Treason Boyer 3:09

Artwork Included ( home made back cover )

FRANTIC - CONCEPTION 1971

No wonder they were Frantic, this was a band with a personality crisis. Inspired by Beatlemania, the Frantics, as they were initially known, sprang out of the non-existent Billings, MT music scene. 

Numerous lineup shifts and a move to New Mexico ensued, before the band, then calling themselves Frantic, settled briefly in Oklahoma City in 1966. There they linked up with the Rascals and hit the road, eventually landing in NYC. When it all went south, the group returned to New Mexico before California beckoned. There, Frantic finally landed a deal with Lizard Records, resulting in their debut Conception album. Unfortunately, all those years touring hadn't helped the group develop their own sound, which remained beholden to their many idols, nor had it left them time for songwriting -- only half the set was penned by them. That said, the covers are the most astonishing tracks on the set. The high point is definitely "Hey Joe," built around Kim Sherman's melancholy surf guitar and Jim Haas' cathedral organ. A garage-psych take on the Doors "Little Girl" is different, if nothing else, while "Morning Dew" starts in poppy Jefferson Airplane territory before taking off towards British prog-dom. The Pretty Things' "Midnight to Six Man" gets the ultimate workout as the band bang through garage-psych into

prog rock and British Invasion territory. The Yardbirds don't get covered, but do get an homage on Frantic's own "Scitnarf," featuring Dennis Devlin' rollicking harmonica. Of their own numbers, arguably "Shady Sam," with its Eastern influences and intriguing use of percussion, is the most interesting. It doesn't, however, hold a candle to anything the British prog rock scene was currently unleashing. And that was Frantic's problem: so much great music, so little time to learn and regurgitate it all. Barrelling from boogie to psych, R&B to pop, the group were jacks of all sounds and master of none. Bet they kicked butt live, though.

Tracks : 

1 Baby Shuman, Westlake 
2 Wicked Woman Byfuglin, Sherman 
3 Scitnarf Byfuglin 
4 Hey Joe Roberts, Valente 
5 More of a Man Fergus 
6 Little Girl Morrison 
7 Shady Sam Byfuglin 
8 Her and Her Mountain Devlin, Herman 
9 Morning Dew Dobson 

10 Midnight to six man

Ripped by : evermoreblues
Artwork Included

Wednesday, September 17, 2008

CROME SYRCUS - LOVE CYCLE 1968

Legendary Psychedelic Album From This Seattle Band Who Relocated To San Francisco. Plenty Of Hippy Cliches Here With Quasi-Religious Choral Workings, Meandering Psychedelic Guitar Jams And Orchestral Arrangements. Vaguely Similar In Style And Feel To The Electric Prunes, But Somewhat More Anarchic In Presentation, This Deserves Its Fame As A Footnote Of West Coast Rock History.













Tracks : 

1.TAKE IT LIKE A MAN
2.YOU MADE A CHANGE IN ME
3.CRYSTALS
4.NEVER COME DOWN
5.WOMAN WOMAN
6.LOVE CYCLE

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Artwork included

IAIN MATTHEWS - THE SOUL OF MANY PLACES 1972 - 1974

The Soul of Many Places compiles the best moments from Matthews' recording high point for Elektra (1972-1974). Featuring selections from Valley Hi, Some Days You Eat the Bear..., and Plainsong's The Search for Amelia Earhart, this is the best introduction to Matthews' finest work. The inclusion of non-LP tracks makes this essential for fans as well













Tracks : 

Ol' 55 (Tom Waits)  from  "Some days you eat the bear" 
For the second time (IM)  from "In search of" 
Keep on sailing (IM)  from "Some days you eat the bear" 
Old man at the mill (trad./IM)  from "Valley hi" 
A wailing goodbye (IM)  from "Some days you eat the bear" 
Shady lies (Richard Thompson)  from "Valley hi" 
I'll fly away (Albert E. Brumley)  from "In search of" 
True story of Amelia Earhart (IM)  from "In search of" 
Seven Bridges Road (Steve Young)  from "Valley hi" 
Biloxi (Jesse Winchester)  from "Some days you eat the bear" 
Propinquity (Michael Nesmith)  from "Valley hi" 
The fault (IM)  from "Some days you eat the bear" 
Even the guiding light (IM)  from "In search of" 
I don't wanna talk about it (Danny Whitten)  from "Some days you eat the bear" 
Louise (Paul Siebel)  from "In search of" 
These days (Jackson Browne)  from "Valley hi" 
Call the tune (IM)  from "In search of" 
Poor ditching boy (Richard Thompson) unreleased song from "Bear"sessions 
You fell through my mind (IM) unreleased b-side from "Valley hi"sessions 


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Artwork included

Tuesday, September 16, 2008

NARNIA - ASLAN IS NOT A TAME LION

I couldn't find any info about this band. I know that it's an English band with A folk rock touch in their music. Their singer Pauline Filby recorded a solo album before joining the band.  Worth to hear.
















Tracks : 

1. You'd Better Believe It
2. Muddy Ground
3. The Juggler
4. Agapé
5. To a Fountain
6. Miracle Of Birth
7. In the Forest
8. Boogie For Narnia
9. Living Water


Band Members : 

Pauline Filby - Vocals
John Russell - Electric Guitar, Acoustic Guitar, Recorder, Vocals
Tim Hatwell - Bass, Acoustic Guitar
Peter Banks - Keyboards, Acoustic Guitar
Kenneth "Ginger" Dixon - Drums, Percussion, Vocals

Ripped by : Evermoreblues.blogspot.com
Artwork included

THE PENGUIN CAFE ORCHESTRA - MUSIC FROM PENGUIN CAFE

A unique and strange record, even by the standards of the pan-musical Penguin Café Orchesta, 'Music from the Penguin Café' was originally released on Brian Eno's 'Obscure' record label in the mid-seventies, by mail order only.

'MFTPC' is hard to describe, and very few retrospectives of the group's career (sadly, leader Simon Jeffes died in 1997) give this more than a passing mention, as it's almost beyond criticism - a totally self-contained universe of music, mixing primitive electronics, Brian Eno-style ambient, classical and folk to form a side-step into a timeless, alien environment. Surreal and dreamlike, it has a very distinctive 'live' sound, with birdsong faintly audible in the background of some of the tracks. Imagine Michael Nyman's wiggiest moments, as produced by Brian Eno's second assistant tape operator, and you're half-way there.

After this (and the similar follow-up, 'Penguin Café Orchestra') the PCO settled down and become much more conservative - their later work is tuneful, folky, and much less experimental.


Tracks : 

1. Penguin Cafe Single

2. From The Colonies

3. In A Sydney Motel

4. Surface Tension

5. Milk

 6. Coronation

7. Giles Farnaby's Dream

8. Pigtail

9. The Sound Of Someone You Love Who's

    Going Away And It Doesn't Matter  

10. Hugebaby

11. Chartered Flight


Link: http://rapidshare.com/files/145814559/Penguin_cafe_orchestra__-_music_from_the_penguin_cafe.rar

Ripped by : Evermoreblues.blogspot.com

Artwork Included

ACID - ACID

German hard rock band (krautrock) , a very good cover of J.J Cale's After Midnight. A very Obscure Band.









Tracks : 

After Midnight
Midnight Queen
Tumbling Line - a Rolling Stone
Your Sweet Love
Six to Seven
Hard Rockin' Band
Hey Freddy
On a Sunny Day
Blind Man


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Artwork Included

ZZ TOP - RIO GRANDE MUD

Rio Grande Mud 
is the second album by American blues-rock band ZZ Top, released in 1972



















Tracks :

  1. "Francine" (Gibbons, Kenny Cordray, Steve Perron) – 3:33
  2. "Just Got Paid" (Gibbons, Bill Ham) – 4:49
  3. "Mushmouth Shoutin'" (Gibbons, Ham) – 3:41
  4. "Ko Ko Blue" (Gibbons, Dusty Hill, Frank Beard) – 4:56
  5. "Chevrolet" (Gibbons) – 3:47
  6. "Apologies to Pearly" (Gibbons, Hill, Beard, Ham) – 2:39
    • Instrumental
  7. "Bar-B-Q" (Gibbons, Ham) – 3:34
  8. "Sure Got Cold After the Rain Fell" (Gibbons) – 6:49
  9. "Whiskey'n Mama" (Gibbons, Hill, Beard, Ham) – 3:20
  10. "Down Brownie" (Gibbons) – 2:53

Band members :


Additional personnel :


Artwork Included
 
tracker tracker