Thursday, September 11, 2008

ERIC ANDERSEN - BLUE RIVER


Originally recorded in 1971 and composed during a time of intense creativity, anguish, and physical and mental exhaustion, Eric Andersen's ode to despair and cry for renewal is widely acknowledged to be his masterpiece. Along with Bob Dylan's Blood on the Tracks and Joni Mitchell's Blue, it is a defining moment for the singer/songwriter genre. Andersen delivers these nine country- and gospel-flavored songs as if in a trance; a fragile and flowing analog warmth threads them together. All the airy, spacious lyricism of Norbert Putnam's delicate production is now before the listener, and the musical experience, even for those who know the album well, will be a revelation. The smallest details--Grady Martin's gut-string guitar on "Faithful," Weldon Myrick's steel guitar and Joni Mitchell's intricately phrased harmony on "Blue River," and Farell Morris's barely audible but finely textured vibes on "Florentine"--arise as if for the first time. Columbia has also unearthed two unreleased tracks--a soulful reinterpretation of the early ballad "Come to My Bedside" and a Cajun vamp-up of Hank Williams's "Why Don't You Love Me Like You Used to Do?" If it's a crime that an album this moving ever went out of print, it's also a triumph that it has returned meticulously remastered and elegantly annotated and presented.

Tracks :

Is It Really Love At All
Pearl’s Goodtime Blues
Wind And Sand
Faithful
Blue River (with Joni Mitchell)
Florentine
Sheila
More Often Than Not
Round The Bend
Come To My Bedside
Why Don't You Love Me Like You Used To Do

Link : @
Ripped by : Evermoreblues.blogspot.com
Artwork included

OLIVER - STANDING STONE


A treat for all those who relish  the sound of psychedelic blues, a form that few, apart from Beefhart and Oliver , have ever satisfactorily mastered. Oliver's hel hounds are on his trail for sure, great slavering paisley-patterned beasts with saucer-sized eyes and claws that catch. Here are dreams and fantasies that are wholly original, pure and surrealistically sublime.



All audible song and notes conceived and uttered or fingered by OLIVER CHAPLIN with a contribution from some smaller winged creatures. Recorded mostly on the farm in Wales during early 1974 within shouting distance of the Standing Stone. Everything was recorded by Oliver directly onto a Teac 4 channel machine using one microphone and/or direct injection guitar – no synthesized sounds. Subsequently mixed by CHRIS CHAPLIN.


Tracks : 

1. Of On A Trek (1:21)
2. Trance (3:50)
3. Flowers On A Hill (2:09)
4. Freezing Cold Like An Icberg (3:49)
5. Royal Flush (3:24)
6. Cat And The Rat (5:32)
7. Instamatic (2:08)
8. Telephone (3:11)
9. Getting Fruity (2:04)
10. Tricycle (1:07)
11. Motorway (3:18)
12. Primrose (2:22)
13. In Vain (2:00)
14. Multiplex (1:07)
15. Orbit Your Factory (4:50)
16. Tok Tic (6:09)
17. Where’s My Motorbike (1:17)


Ripped by : Evermoreblues.blogspot.com
Artwork included

Wednesday, September 10, 2008

STONE THE CROWS - NIAGARA , LIVE IN LONDON ( BOOTLEG)


Rare live album recorded in London , double cd , two concerts, 1971 / 1972.

Stone The Crows!', shouted legendary manager Peter Grant, when he first heard this splendid young Scottish band roaring into action. Although it was the Londoner's favourite Cockney expression, he wasn't a man to be easily impressed. After all, he was the manager of Led Zeppelin, the most successful heavy rock band in history. Yet there was something earthy and appealing about the Crows that excited his enthusiasm and support.

Rock fans too were enthralled by the band, founded by guitarist Leslie Harvey and featuring the passionate vocal style of dynamic singer Maggie Bell. Their blues-based rock was imbued with that extra power and authentic flavour that sprang from their tough Glasgowegian roots.

Every new group expects to conquer the world, and Stone The Crows were no exception. But Maggie Bell and Leslie Harvey had both been working long and hard before their latest venture finally took shape, way back in 1969. They deserved the success that finally came their way.

Tracks :

Cd 1:

158
Keep on rollin'
Bij Jim salter
Mr. Wizard
Don't think twice it's all right
Goin' down
Think

Cd 2:

On the highway
Palace of the king
Penicillin blues
Sunset cowboy
Niagara
Mr.Wizard
I'm not a good time girl
Goin' down

Link :

http://rapidshare.com/files/144157411/S.t.c__cd_1.rar
http://rapidshare.com/files/144158473/S.t.c_cd_2.rar
Track 06 (fixed) :
http://rapidshare.com/files/144605770/06_Track_6.mp3

Ripped by : Evermoreblues.blogspot.com
Artwork included

LINDA THOMPSON - GIVE ME A SAD SONG

Linda Thompson was an aspiring folk singer in the early 70's, when she performed on a Richard Thompson album, soon becoming Richard's wife and musical partner for a series of excellent albums, culminating in the great (and final - for their marriage and parnership) "Shoot Out The Lights. This is a "...wonderful historical collection of previously unreleased demos and rare tracks from Linda Thompson -- one of Britain's finest interpretive singers. Remarkable demos from 1970 recorded with Martin Carthy. Linda's contributions to a very rare album of Brian Patten's poems. Demos written by Richard Thompson for a proposed stage musical from the mid-1970's and some powerful demos with Betsy Cook from the mid-eighties. All in all a collection 'joining-up the dots' of Linda's acclaimed career." Featured are Martin Carthy, Betsy Cook, Gerry Conway, Neil Innes, Graeme Taylor and Richard Thompson.







Tracks :

1 Story of Isaac
2 Down River
3
Fire and Rain
4 From a City Balcony
5
Get Back
6
Sometimes It Happens
7
Embroidered Butterflies
8 After Frost
9
You Missed the Sunflowers at Their Height
10
Restless Boy
11
World Is a Wonderful Place
12 Abandoned
13
Hell, Highwater and Heartache
14
Her Father Was a Sailor
15
When I Mention Love
16
Give Me a Sad Song
17 Aimless Love

Link : http://rapidshare.com/files/144145466/Linda_Thompson.rar

Ripped by : Evermoreblues.blogspot.com
Artwork included




THE EAGLES - FAREWELL TOUR 1 - LIVE IN MELBOURNE


Recorded in high definition in Melbourne, Australia, the concert lasts nearly three hours and packs a punch around every corner. Joe Walsh, Glenn Frey, Don Henley, and Timothy Schmit sit on the stage like old friends, effortlessly pouring out their souls through their music. Unlike their previous recorded live performances, the band members actually look like they're having a good time in front of their audience, embracing the music rather than their fame.











Tracks : 

I n t r o  
T h e   L o n g   R u n  
N e w   K i d   I n   T o w n  
W a s t e d   T i m e  
P e a c e f u l   E a s y   F e e l i n g  
I   C a n ' t   T e l l   Y o u   W h y  
O n e   O f   T h e s e   N i g h t s  
O n e   D a y   A t   A   T i m e  
L y i n '   E y e s  
T h e   B o y s   O f   S u m m e r  
I n   T h e   C i t y  
A l r e a d y   G o n e  
T e q u i l a   S u n r i s e  
L o v e   W i l l   K e e p   U s   A l i v e  
N o   M o r e   C l o u d y   D a y s  
H o l e   I n   T h e   W o r l d  
T a k e   I t   T o   t h e   L i m i t  
Y o u   B e l o n g   T o   T h e   C i t y  
W a l k   A w a y  
S u n s e t   G r i l l  
B a n d   I n t r o d u c t i o n s  
J o e   W a l s h   I n t r o  
L i f e ' s   B e e n   G o o d  
D i r t y   L a u n d r y  
F u n k   # 4 9  
H e a r t a c h e   T o n i g h t  
L i f e   I n   T h e   F a s t   L a n e  
H o t e l   C a l i f o r n i a  
R o c k y   M o u n t a i n   W a y  
A l l   S h e   W a n t s   T o   D o   I s   D a n c e  
T a k e   I t   E a s y  
D e s p e r a d o  

Link : 
http://rapidshare.com/files/144094501/disc_1.rar
http://rapidshare.com/files/144095446/disc_2.rar

Artwork included

Tuesday, September 9, 2008

THE NOVA LOCAL - NOVA 1



The Nova Local was a psychedelic pop band formed in Chapel Hill, North Carolina, in 1964, initially under the name The Shadows. It comprised singer Randy Winburn, guitarists Joe Mendyk and Phil Lambeth, bassist Jim Opton, keyboardist Cam Schinhan and drummer Bill Levasseur. Their single "If You Only Had the Time", released in 1967, was a minor hit in North Carolina. They recorded one album, Nova 1 (released on Decca Records in 1968 in the United States), shortly before disbanding. The album was also released in Canada and in the United Kingdom.According to Opton, the album was the first ever recorded using the Dolby NR system.




Tracks :

1. $5 a Ticket
2. If you only had the time
3. Yascha knew deli intimately
4. A visit from It, the king
5. Tobacco road
6. Hitch hike
7. Morning dew
8. Forgotten man
9. Dear Jimi
10. And I remember
11. John Knight's body

Link : http://rapidshare.com/files/143888750/The_nova_local__nova_1.rar

Ripped by : Evermoreblues.blogspot.com
Artwork Included

HURDY GURDY S/T


Power rock trio (guitar, bass, percussion), that was known as one of the acid rock bands, featuring Claus Bøhling - one of the best guitarists from Scandinavia. He is here also a singer and plays the sitar on Hindu song The Peaceful Open Space. Claus played in Secret Oyster (1972-1977). Later he had his bands Masala Dosa, Claus Bøhling Band and Elektrum.












Tracks :

1
Ride On

Written By - Forne/Bohling
2
The Giant

Written By - Bohling
3
Tell Me Your Name

Written By - Bohling/Forne/Otzen
4
Peacefull Open Spaces

Written By - Otzen/Bohling
5
Babels Tower

Written By - Bohling
6
Spaceman

Written By - Bohling
7
Lost In The Jungle

Written By - Bohling
8
You Can't Go Backwards

Written By - Bohling

Band :

Guitar, Harmonica - Claus Bøhling
Drums, Vocals - Jens Marquard Otzen
Bass - Torben Forne

Link : http://rapidshare.com/files/143886927/Hurdy_Gurdy.rar

Track 08 fixed : http://rapidshare.com/files/144184222/08_you_can_t_go_backwards.mp3

Ripped by : evermoreblues.blogspot.com
Artwork included

COSMIC TRAVELERS - LIVE! AT THE SPRING CRATER CELEBRATION


Ultra-rare album originally released in very limited quantities on the Volcano label in 1972. Recorded live on April 1st, 1972 at the Spring Crater Celebration Diamond Head in Oahu, Hawaii...a Los Angeles based combo of psychedelic blues featuring Joel Christie (Lee Michaels Band), Drake Levin (Paul Revere & The Raiders and Friendsound) and Dale Loyola (Hook)...long jammin' tracks with crazed fuzz guitar solos.










Tracks :

01. Farther Up The Road
02. Move Your Hands

03. Jungle Juice

04. Look At You Look At Me

05. Soul

06. Soul Reprise

Link :
http://rapidshare.com/files/143884481/Cosmic_travelers_at_the_spring_crater.rar

Ripped by : Evermoreblues.blogspot.com
Artwork included

[BY REQUEST] MARC MUNDY - S/T


Many (Mid)East/West crossover albums surfaced during the psychedelic era but none that sound quite like Mundy's. "You'll have a hard time finding another LP to compare with this combination of feeling and sound," Major claims and we couldn't agree more. The emotional effect of Mundy's vocals coupled with his band's irresistable groove is a strange pairing -- you could argue that the two are at odds with each other, but the result is a sound and feel so unique and compelling to our ears, we believe it to be in a class all its own.









Tracks :

1. The Hidden Meaning Of Your Love
2. Our Love Can Never Be
3. How Can I Marry This Language
4. Love Me All The Time
5. The Nights We Spend Together
6. Don't Love Me Anymore
7. The Tragic House
8. I Know Not Where
9. Give Up Your Pride
10. I'm Crying Your Name

Link : http://rapidshare.com/files/143855051/marc_mundy-_st__1971_.rar

Artwork Included

LIVING CHICAGO BLUES Vol.2





Details

Playing Time: 65 min.
Producer: Bruce Iglauer, Richard McLeese
Distributor: Ryko Distribution
Recording Type: Studio
Recording Mode: Stereo
Orig Year 1978
Release Date Jul 12, 1991
Genre: Blues 
Styles: Modern Electric Blues Chicago Blues Electric Chicago Blues Piano Blues Boogie-Woogie Modern Electric Chicago Blues 70's Contemporary Blues





Track Listing
1. Don't Answer the Door - Lonnie Brooks
2. Two Headed Man - Lonnie Brooks Blues
3. Cold, Lonely Nights - Lonnie Brooks
4. Move Over, Little Dog - Lonnie Brooks
5. Would You, Baby - Johnny "Big Moose" Walker
6. Worry, Worry - Johnny "Big Moose" Walker
7. Sunnyland Blues - Johnny "Big Moose" Walker
8. Cry, Cry Darling - Johnny "Big Moose" Walker
9. Stranded on the Highway - Magic Slim/Teardrops
10. Dirty Mother For You - Magic Slim/Teardrops
11. Spider in My Stew - Magic Slim/Teardrops
12. Don't Say That No More - Magic Slim/Teardrops
13. Take It Easy, Baby - Pinetop Perkins
14. Blues After Hours - Pinetop Perkins
15. Little Angel Child - Pinetop Perkins
16. How Much More Long - Pinetop Perkins






Back in the mid-sixties, Vanguard issued a series of three albums called Chicago/The Blues/Today!, produced by Sam Charters. In retrospect, most of the performances weren't really exceptional—Johnny Shines. Walter Horton, Johnny Young, Junior Wells and Otis Rush have since made better recordings—but when these LPs appeared, they were a revelation. Because here was evidence of a blues tradition, rooted in the Deep South, that not only lived but thrived in Chicago's cold, windswept South and West Side ghettos. The old-timers were taking care of business, and some impressive younger talents were coming along, too.

Many people assumed in 1965 that the blues must be dying out in Chicago. Many more people would probably make that assumption in 1979, but Alligator's three-record Living Chicago Blues proves them wrong. Produced by Bruce Iglauer and Richard McLeese over a period of several months and programmed with three groups per album (in explicit homage to the Charters set), Living Chicago Blues is the definitive modern blues collection of the Seventies. And it's a measure of this music's continuing vitality that the most striking performances here come from men who, while they're not exactly youngsters, are still virtually unknown outside the Chicago blues clubs.

Left Hand Frank and Jimmy Johnson, who conspire to make Volume 1 the best single entry in the series, are cases in point. Frank Craig plays the guitar left-handed and upside down. He never recorded under his own name before this session, and still works in Chicago as a sideman, most notably in the past year with Jimmy Rogers and Walter Horton. Craig's playing is whining, distorted and chordal—he uses a four-finge, picking style—and brings to mind some of the most down-home electric blues of the Forties and Fifties. Jimmy Johnson, brother of soul singer Syl Johnson, is a thoroughly modern bluesman with a gospelish voice and a harmonically sophisticated single-string guitar style that's sometimes reminiscent of Otis Rush. These men represent the extremes of modern Chicago blues, and both are simply devastating.

The third bluesman on the LP, Eddie Shaw, is somewhat better known, having been Howlin' Wolf's bandleader and a recording artist on his own (as Eddie Shaw and the Wolf Gang) with Wolf's old band. But Shaw's previous album only hinted at the punch and personality that his five songs deliver here. All in all, Volume 1 is the most satisfying disc of newly recorded blues in many moons.

Volume 2 concentrates on older styles of performance—there's nothing as flashy or modern as Jimmy Johnson. The highlights are four numbers by Carey Bell, who's made several LPs under his own name but has yet to unleash the full range of his talents. His slow tunes, "Woman in Trouble" and "Laundromat Blues," are the deepest songs in the series, with Bell's intimate, almost whispered vocals recalling the second Sonny Boy Williamson in subtle expressivity, if not style. Bell's son, Lurrie, who was only nineteen when this album was made, contributes some wonderfully sensitive guitar fills. The uptempo cuts really rock, and Carey Bell plays terrific harmonica solos.

Though Magic Slim and the Teardrops lack Bell's steadiness, their "Stranded on the Highway" is a fine traveling blues, and "Dirty Mother for You" takes advantage of modern mores to get some hoary blues scatology on wax. Johnny "Big Moose" Walker is a storming barrelhouse pianist, but he should have let guitarist Louis Myers take a couple of the vocals. Walker just isn't much of a singer, and that weakens an otherwise enjoyable set.

Lonnie Brooks, who used to make records for Louisiana's Goldband label as Guitar Jr., is the surprise of the series. His music is witty, soulful and ferociously energetic, brimming with novel harmonic turnarounds, committed vocals and simply astonishing guitar work. He shares Volume 3 with Pinetop Perkins (the veteran blues pianist now with the Muddy Waters Band), who romps through an infectious, atmospheric program of down-South blues and boogie, and a group called the S.O.B. Band. (In this case, S.O.B. stands for Sons of the Blues.)

The S.O.B.s—all in their twenties or younger—include Willie Dixon's son, Freddie, and once again, Lurrie Bell. Bell is already an eloquent blues guitarist, with a feel and sound of his own, but harmonica man Billy Branch sings like a white blues imitator (he's black but grew up in California). The band plays solid music and certainly offers some hope for the long-range future of blues in Chicago. But blues is the voice of experience, and these musicians are going to have to live awhile longer before they can match the magic that Left Hand Frank, Jimmy Johnson, Carey Bell and Lonnie Brooks are still creating daily.

The sound quality and musical consistency of Living Chicago Blues puts the earlier Vanguard set to shame. These albums shouldn't be missed. If your store doesn't stock them, you might want to inquire directly: Alligator Records, Box 60234, Chicago, Illinois 60234. (RS 292)

ROBERT PALMER

Link : http://rapidshare.com/files/143851373/LIVING_CHICAGO_BLUES_vol.2.rar

Ripped by : MAGUS

Full Artwork Included


 
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