Tuesday, March 22, 2011

BLACK OAK ARKANSAS 1971

The group, originally called "The Knowbody Else", was formed in 1965 in Black Oak, Arkansas, by Ronnie "chicky Hawk Smith (vocals), Rickie Reynolds (guitar), Stanley Knight (guitar), Harvey Jett (guitar), Pat Daugherty (bass), and Wayne Evans (drums). Their first PA system was stolen from a local high school. Members of the group were subsequently charged in absentia with grand larceny and sentenced to 26 years at the Tucker Prison Farm (this sentence was later suspended). This led to their retreat to the hills of rural northeast Arkansas where they lived off the land and refined their musical style.[citation needed] They also lived in Long Beach, Mississippi and played at the local Lobe theater/dance hall. Some of their influences during this time were the Beatles and the Byrds. At some point the band and Ronnie "Chickey Hawk Smith agreed that a mutual friend named James "Jim Dandy" Mangrum would make a better front man, Ronnie Smith agreed that he would make a better stage production manager.
The Knowbody Else moved to Memphis, Tennessee in 1969 and signed a record deal with Stax Records. Their self-titled debut album, and their only album with Stax, was largely ignored by the populace. During this time the band became interested in psychedelia and Eastern spiritualism which, combined with their Southern Baptist upbringing, contributed to their sound.
After several trips to Los Angeles, California, in 1970, the band was signed by Atco Records (whose parent label Atlantic Records once had a partnership with Stax) and rechristened "Black Oak Arkansas". Their self-titled debut album Black Oak Arkansas was released in 1971 while the band toured extensively, gaining a reputation as a live act. The twin album releases that followed in 1972, Keep the Faith and If an Angel Came to See You, Would You Make Her Feel at Home, expanded on the group’s eclectic musical style.
In 1973, Black Oak Arkansas released their fourth album Raunch 'N' Roll Live and introduced a new drummer, Tommy Aldridge. It was their fifth album High on the Hog, released later that year, that established solid commercial success by peaking at number 52 on the Billboard albums chart. Vocalist Ruby Starr also toured with the band during this period. Her raspy voice can be heard on the group's remake of LaVern Baker's 1957 hit "Jim Dandy," which reached number 25 on the Billboard Hot 100.
The band played at the famous California Jam festival in Ontario, California on April 6, 1974. Attracting over 200,000 fans, appearing alongside 70's rock giants Black Sabbath, Eagles, Emerson, Lake & Palmer, Deep Purple, Earth, Wind & Fire, Seals and Crofts and Rare Earth. Portions of the show were telecast on ABC Television in the US, exposing the band to a wider audience.
Also the 1974 release, "Street Party", may have failed to maintain the momentum; however, another 1974 release entitled "Early Times", an overlooked Stax recording, made up for lost time. In 1976 the original lineup of Black Oak Arkansas (minus Harvey Jett, who was replaced by Jimmy Henderson) released their last album, Balls of Fire. A new version of the band called "Black Oak" was formed in 1977 around Jim "Dandy" Mangrum and Jimmy Henderson. Greg Reding (guitar and keyboards), Jack Holder (guitar), Andy Tanas (bass), and Joel Williams (drums) participated on the two Capricorn albums which were recorded in 1977 (Race with the Devil) and 1978 (I'd Rather Be Sailing.) In 1978, guitarist Shawn Lane joined the band at age 14 and toured with the band for four years.
Released in 1984, Ready, as Hell debuted a heavier sound with pinch harmonics and keyboards featured throughout. The album also marked the return of Rickie Lee Reynolds on rhythm guitar. In 1986, The Black Attack Is Back continued the heavy style of the previous album and featured the particularly adventurous track "I Want A Woman With Big Titties". Despite that lack of subtlety, the album is regarded by many as the finest of the band's long career, with arguably the most talented lineup to date. Still, it made no commercial headway.
James Mangrum has continued recording and touring with a series of different Black Oak lineups up to present day. Black Oak Arkansas currently enjoys a loyal fan following. However, the later lineups have yet to duplicate the level of album sales that the original lineup generated in the early-mid 1970s. Jim Dandy is credited with inspiring Van Halen frontman David Lee Roth's image and onstage persona as well. In addition, in the 1980's former Maine State Representative Chris Greeley once 'opened' for them as a member of the rock band Toyz.
Tracks :

1. Uncle Lijiah
2. Memories at the Window
3. The Hills of Arkansas
4. I Could Love You
5. Hot and Nasty
6. Singing the Blues
7. Lord Have Mercy on My Soul
8. When the electricity came to Arkansas


Monday, March 21, 2011

WIGWAM - NUCLEAR NIGHTCLUB 1975

When Finnish band Wigwam signed with England's Virgin label in 1974, it was an indication they wanted international success, and Nuclear Nightclub, the first fruit, showed they'd changed enough to hopefully achieve it. This reissue of that disc, with seven bonus tracks, highlights the wonderfully idiosyncratic songs from the pen of Irish keyboard player/vocalist Jim Pembroke, backed up with some superb, tight musicianship. "Tram Driver," a single, never hit the charts, but still sounded good with its maddening chorus of "tram driver," while the title track offered quirky prog lounge music for a new generation. The band toned down the extended pieces and instrumentals that had featured heavily on its previous albums in favor of new work like "Freddie Are You Ready" (more catchiness) and "Save My Money and My Name," while the playing on "Do or Die" highlighted the chops without the tedium. In many ways they allied themselves to the British Canterbury Scene, especially Caravan, with a strong sense of the absurd, a good sense of the pop songs -- choruses always featured heavily -- and a deftness and lightness of touch that was never more in evidence than on this record. Why it never broke through remains a sad mystery; they certainly deserved better, and this expanded edition of what may well be their finest album (outside of a greatest-hits package only available in Finland) does them and their lovely little ways full justice. ~ Chris Nickson

Tracks :

1. Nuclear nightclub (2:45)
2. Freddie are you ready (5:36)
3. Bless your lucky stars (5:58)
4. Kite (4:15)
5. Do or die (5:03)
6. Simple human kindness (4:02)
7. Save my money and my name (4:07)
8. Pig storm (4:39)



 
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